Post tagged with

TELEVISION

Nightclubbing | Richard Hell and the Voidoids

Pat Ivers and Emily Armstrong continue sorting through their archives of punk-era concert footage as it’s digitized for the Downtown Collection at N.Y.U.’s Fales Library.

voidoids-Richard Hell w_set list Richard Hell with set list.

You can’t talk about punk rock without talking about Richard Hell. Television, the band he founded in 1973 with then best friend Tom Verlaine, was one of the groups – along with Blondie and the Ramones – that laid the foundation for the downtown scene at CBGBs. Sex Pistols impresario Malcolm McLaren purportedly looked at a poster of Television in 1974, pointed at Richard and said, “I want to start a band that looks like him.”

With his chopped hair and ripped-up shirt, Hell looked like nobody else. And with his kinetic, jangly stage presence and slinky bass, he sounded like nobody else. “Richard had some charisma you can’t buy in a store and apply to yourself like a cream,” recalled Television guitarist, Richard Lloyd. ”He had ‘it,’ the inimitable ‘it,’ the mysterious ‘it.’ His loopy bass lines were cartoonish in their wonderment; he was fantastic.”

Not everyone in the band agreed and Richard left to join the Heartbreakers with Johnny Thunders in 1975. But sharing stage and song time with Thunders seemed like a Television rerun for Hell: “I wanted to try something quicker, more strange than the stuff Johnny wanted,” he said. Read more…


Nightclubbing | Levi and the Rockats

Pat Ivers and Emily Armstrong continue sorting through their archives of punk-era concert footage as it’s digitized for the Downtown Collection at N.Y.U.’s Fales Library.

Rockats CBGB flyer

At CBGB, it was a crapshoot what you would hear on a given night (maybe folk rock, maybe noise bands) and we, the audience, said bring it on. If the music was good, we listened to it. But over in England, there was a culture war raging that was alien to most variety-loving New Yorkers.

Teds were the original “rebel teenagers” of the late 40s and early 50s, with their own unique clothing style and love of early rock and roll. They endured as a niche group for years, enjoying a resurgence in the 70s. They held on to their sartorial and musical traditions – and with it, an unfortunate penchant for violence, a behavior certainly fanned by the British tabloids. Though the gritty details remain debatable, it seemed inevitable that the conservative, volatile Teds would pick a fight with the publicity-loving, anarchic punks. The natty Teds didn’t like safety pins and they sure didn’t like the Sex Pistols.

Leee Black Childers remembered going to a rockabilly show in London in 1977 while touring with the Heartbreakers as their manager during the “Anarchy in the UK” tour. “When the lights went up, Teds suddenly descended on us and threatened to beat us up for being punks,” he said. “This kid, Levi Dexter stepped up and stuck up for us and we were saved.” Childers asked him if he had any friends, because with his looks he could start up a band. Levi recruited childhood friend Smutty Smiff and a few others and Childers became their manager. Read more…


CBGB Returns as Summer Festival, May Reopen as Club

DESCRIPTIONGodlis A 1977 photo of CBGB, which operated on the Bowery from 1973 to 2006. Owners of the club’s assets are now planning a festival and seeking to revive it at a new site.

For the last six years the name CBGB has been little more than a logo on T-shirts for young people in the East Village. Now a group of investors has bought the assets of that famous punk-rock club, which closed in 2006, and plans to establish an ambitious music festival this summer, with an eye toward reopening the club at a new downtown location.

The new owners of the club’s assets — some with ties to the original Bowery establishment — say they hope that the festival will revive the wide-open artistic aesthetic associated with CBGB, which in its heyday served as an incubator for influential acts like Television, the Talking Heads, the Ramones, Blondie, Sonic Youth and Patti Smith. Read more…


Exclusive Video: Billy Leroy on Terrifying Catherine Deneuve

Billy Leroy may have buried his tent on the Bowery last month, but the antiques dealer isn’t done snatching up oddities from around the world. He just got back from Glasgow, Scotland, where the seventh episode of the Travel Channel’s “Baggage Battles” was filmed. “It was a bidding bloodbath between me and my co-competitor Laurence Martin on a very historic item,” he wrote in an e-mail to The Local. “The Scottish people are really friendly and the single-malt whiskey is sublime.”

In this footage provided exclusively to The Local, Mr. Leroy, seated in front of a skull stash with his trademark cigar in hand, lets us in on the secret of getting a good deal. After the show premieres April 11 at 10 p.m., he’ll try his luck in Miami, during the filming of episode eight. “Boy, TV Land is a lot different then the Bowery,” he said. “I am starting to miss Bowery Misfits.”


‘Smash’ Filming at Cafe Orlin

Stephen Rex Brown Part of the film crew outside of Cafe Orlin today.

Film crews have entirely overtaken Cafe Orlin (no stranger to cinema stars) and parts of St. Marks Place for the shoot of an upcoming NBC drama that takes a (fictional) behind-the-scenes look at the production of a Broadway musical.

A crew member outside the cafe near Second Avenue told The Local that they were shooting “Smash.” According to IMDB, the new series will depict the ups and downs of the cast and crew preparing a show about Marilyn Monroe’s life. Anjelica Huston is the biggest star in the cast, though she was not spotted today at around lunchtime. (There were few opportunities for paparazzi-style photos; the rain had forced most of the crew indoors.)

The show is set to premiere on February 6.


In Search of Marcel Proust, Finding Tom Verlaine

Tom Verlaine(c)2011 Nanci Ezzo, All rights reserved.

According to the weather prophets it should have been raining but it wasn’t raining so I went to the Tompkins Square Library to see if I could get Vol. 1 of Proust, but they didn’t have any Proust, and probably never do have any Proust (“Who’s Proust?”), so I decided to take out another novel instead, only to realize I didn’t have a library card, a wallet, or any form of ID, unless you count a cell phone, which I don’t. I did have cash, though.

On to Mast Books, five blocks down Avenue A, but first I encountered… The Racist. A drably turned-out white woman in her thirties, looking like a hipster gone to seed, possibly a junkie. In fact I’d already passed her a few minutes earlier on the way to the library, where I heard her shout racial slurs at more darkly hued people than herself outside the deli on 10th Street, but I wasn’t really paying attention, and frankly it just seemed weird. She looked like a dyed-in-the-wool East Villager. Down on her luck, maybe, but a characteristic member of the neighborhood nonetheless. It was almost unthinkable. Read more…


The Day | Stuy Town Is in the East Village? Really?

Late Night EatsRachel Citron

Good morning, East Village.

The weekend is almost here, so why not start partying a little early? Cure Thrift Shop is celebrating its 3rd birthday today with a party at 111 East 12 Street. Proceeds from the $5 admission fee go toward diabetes research and get you access to snacks, drinks, and a raffle, as well as live music from Roosevelt Dime.

In entertainment news, DNAinfo reports that the production staff of the USA Network show “White Collar” disguised Cooper Union’s Foundation Hall as a hotel for a recent scene shoot.

Speaking of cable television, the Post gets inside the East Village walk-up that Constance Zimmer of “Entourage” shares with her husband, commercial director Russ Lamoureux. Fun fact: She went to school with Benicio del Toro. Read more…


Five Questions With | Bryan Waterman, Author of ‘Marquee Moon’

waterman190Courtesy of Bryan Waterman

With over 80 titles now published in the acclaimed series “33 1/3” (book-length critiques of particularly esteemed pop records running the gamut from “Electric Ladyland” to “Kid A”), it has fallen to Bryan Waterman, a NYU professor, to dissect Television’s 1977 recording, “Marquee Moon.” His study, which shares a title with the album in question, weighs in at a portly 222 pages (most of the books in the series are much shorter), and will delight both Television fans and nostalgists of seventies punk-era New York. Mr. Waterman explains why the album just might be the prize catch to emerge from the glory days of CBGB.

Read more…


Appreciating the Music of Television

TelevisionHeartonastick Tom Verlaine performing at Central Park Summerstage, 2007.

There are certain artists one wishes one could outgrow. They belong to one’s youth, after all, and perhaps they should remain there, along with all the other youthful things one is relieved to have outgrown. But for me, the music of the CBGB’s-era band Television, and in particular its singer and songwriter, Tom Verlaine, is one of those youthful enthusiasms which (so far, anyway) threads its way through my life with embarrassing persistence. Occasionally it disappears for long periods while other, more novel interests take hold, but then, like mosquitoes in Spring, back it comes, nipping at the senses as tenaciously as always, only in this case the result is intense pleasure rather than irritation and blood marks.

Television was, or is — no one seems to be sure of its exact current status — the band best known for inaugurating the CBGB’s scene in the mid-1970’s; for having to this day a small but ferociously loyal group of devotees; and for having been eclipsed, at least in terms of popularity, by other bands of that era such as Talking Heads, Blondie, The Ramones, et al. Even by the monstrously egotistical standards set by most rock stars, they seemed weirdly indifferent to fame and record sales, but like the Velvet Underground their musical influence remains pervasive and lives on in a variety of formats which now include amateurishly filmed but invaluable concert clips put up on YouTube.
Read more…


HBO’s Fantasy Truck

Last night hundreds of people lined up on Astor Place or paused their post-work rush to observe a curious scene. Was there a celebrity? A fire? Actually, there was free squab and stuffing, from a truck.

The “Game of Thrones” truck, promoting the HBO fantasy series launching April 17, is popping up in a different spot in the city each evening this week, doling out “Top Chef” judge Tom Colicchio’s cooking to the first 300 fans that arrive. The series, based on the fantasy books by George R.R. Martin, has already drawn wide interest on Twitter and Facebook, where the truck announces its evening location minutes before it parks.

The strategy seems to be working. The East Village was filled with crazed “Game of Thrones” devotees last night–crazy enough to eat pigeon anyway.