Courtesy of Bryan WatermanWith over 80 titles now published in the acclaimed series “33 1/3” (book-length critiques of particularly esteemed pop records running the gamut from “Electric Ladyland” to “Kid A”), it has fallen to Bryan Waterman, a NYU professor, to dissect Television’s 1977 recording, “Marquee Moon.” His study, which shares a title with the album in question, weighs in at a portly 222 pages (most of the books in the series are much shorter), and will delight both Television fans and nostalgists of seventies punk-era New York. Mr. Waterman explains why the album just might be the prize catch to emerge from the glory days of CBGB.
