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THE GRATEFUL DEAD

Alan Abramson’s Fan-O-Gram to the East Village Other

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Because something is happening here
And you don’t know what it is
Do you, Mister Jones?
– “Ballad of a Thin Man” by Bob Dylan (from “Highway 61 Revisited,” 1965)

Alan Abramson - 1972 copy Alan Abramson, 1972.

The times were overwhelming. America was violently awakened from the slumber of the 1950s on Nov. 22, 1963 and quickly found itself inhabiting an unrecognizable, incomprehensible, rapidly evolving reality. The Civil Rights Movement, the Vietnam War, the Free Love Movement, the Women’s Liberation Movement, the Gender Equality Movement, the Consciousness Raising Movement, the Save Our Planet Movement, the Eastern Mysticism Movement, and sex, drugs and rock and roll all conspired to create a giddy, euphoric Renaissance. If you were a nice young person raised in Eisenhower-era suburbia, the questions that consumed you were: “What the hell is going on? What does this all mean? Where do I fit in?” And most importantly: “How do I get invited to the party?”

Enter, The East Village Other. For me it was the Rosetta Stone that enabled me to decode the meaning of the ‘60s.  Attending Oberlin College from 1964 to 1968, I experienced an environment that was receptive to the Strange Days that were sweeping the nation. I had a subscription to the Village Voice, which retained an aura of cool, post-Beat sensibility.

All of the sudden, however, it was left way, far behind: things were happening much too quickly for it to process. The ‘60s were not about quiet, low key cool. The ‘60s were flaming hot. There was a void in the media. Nature abhors a vacuum and something Other was desperately needed (I always felt that the name was a play on words, dissing its neighbor from the West Village). Like Athena springing fully clad in armor from the aching head of Zeus, The East Village Other burst upon the scene. The Other was not your parents’ newspaper. Read more…


Bob Simmons on Bill Beckman and EVO’s Own Touch of Evil

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Screen shot 2012-02-10 at 8.17.25 PM Detail from an illustration by Bill Beckman.

I came to EVO in late 1965. I think the paper was about three issues old. Walter Bowart had quit his job as a bartender at the Dom on St. Marks Place (Ed Sanders says it was Stanley’s, maybe it was both) and had raised some money to publish what he was soon to become fond of calling “a hippie National Inquirer.” (“Hippies don’t like to read. They like pictures and big headlines.”) I had just come to New York City from Texas. At the time I wasn’t sure if I wanted to make it uptown or downtown. All that was certain was that I needed to get some kind of employment.

I was living in the basement of Bill and Debbie Beckman’s apartment on East Ninth Street between Avenues C and D. At the time, this was decidedly a sketchy neighborhood, populated by young Puerto Rican street entrepreneurs who would have duels with ripped-off car antennae, whipping each other viciously over turf or girlfriends or whatever. The old mittel Europeans, Ukrainians, and refugees who lived in the ratty tenements would scurry to get out of their way as they crossed Houston to get a knish. It would have been maybe December of 1965 when I arrived. It was shaping up as a very cold winter, with an incredible blizzard that happened just a few weeks after my arrival. Being a naive Texan, I had innocently driven my car and tried to keep it on the streets. I lost it for almost 10 days under the snow. It was all very new to me. Snow. Hippies. The East Village Other. Read more…