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S. CLAY WILSON

Peter Leggieri’s East Village Other

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Earlier this week, the Arthur L. Carter Journalism Institute launched “Blowing Minds: The East Village Other, the Rise of Underground Comix and the Alternative Press, 1965-72,” with a rousing discussion that’s now archived on the exhibit’s Website, along with new audio interviews with veterans of the Other. Over the course of seven weekend editions of The Local, we’ve heard from all but one of the EVO alumni who spoke on Tuesday’s panel. Here now, to cap off our special series, is the story of Peter Leggieri.

GIL WEINGOURT PHOTO 1968B54B2LEGGERIA-PETER_SPAIN-EVO copyGil Weingourt Left to right: Peter Leggieri, Peter Mikalajunas, and Spain Rodriguez.

From the first day that I began working at The East Village Other, I was overcome by the sense that it was not only a newspaper but a strange and magical ship on a voyage with destiny. It seemed as though each issue printed was a new port of call, and the trip from one issue to the next, a new adventure. Many of EVO’s crew members expressed that same weird feeling – a sense of excitement and creative power.

And what a crew that was! No one was recruited. I don’t recall a resume ever being submitted. They all simply showed up and started working. EVO’s crew might just have been the greatest walk-on, pick-up team in the history of journalism. She was The Other but her staff of artists, poets, writers, photographers and musicians affectionately called her EVO. Her masthead bore a Mona Lisa eye. EVO created a cultural revolution and won the hearts and minds of a generation. She was the fastest ship in the Gutenberg Galaxy.

In the Beginning
I was the anonymous Other, the one editor-owner unknown to the public. I did not party. I did not schmooze with the literati or seek publicity. I had no time for such things. I worked seven days a week, 20 hours a day and, because of law school, I had to be sober. My friend, the poet John Godfrey, told me that I was afflicted with a Zen curse: a hermit condemned to be surrounded by people and events. That was certainly the case for me in the 1960s. Read more…


Alan Abramson’s Fan-O-Gram to the East Village Other

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Because something is happening here
And you don’t know what it is
Do you, Mister Jones?
– “Ballad of a Thin Man” by Bob Dylan (from “Highway 61 Revisited,” 1965)

Alan Abramson - 1972 copy Alan Abramson, 1972.

The times were overwhelming. America was violently awakened from the slumber of the 1950s on Nov. 22, 1963 and quickly found itself inhabiting an unrecognizable, incomprehensible, rapidly evolving reality. The Civil Rights Movement, the Vietnam War, the Free Love Movement, the Women’s Liberation Movement, the Gender Equality Movement, the Consciousness Raising Movement, the Save Our Planet Movement, the Eastern Mysticism Movement, and sex, drugs and rock and roll all conspired to create a giddy, euphoric Renaissance. If you were a nice young person raised in Eisenhower-era suburbia, the questions that consumed you were: “What the hell is going on? What does this all mean? Where do I fit in?” And most importantly: “How do I get invited to the party?”

Enter, The East Village Other. For me it was the Rosetta Stone that enabled me to decode the meaning of the ‘60s.  Attending Oberlin College from 1964 to 1968, I experienced an environment that was receptive to the Strange Days that were sweeping the nation. I had a subscription to the Village Voice, which retained an aura of cool, post-Beat sensibility.

All of the sudden, however, it was left way, far behind: things were happening much too quickly for it to process. The ‘60s were not about quiet, low key cool. The ‘60s were flaming hot. There was a void in the media. Nature abhors a vacuum and something Other was desperately needed (I always felt that the name was a play on words, dissing its neighbor from the West Village). Like Athena springing fully clad in armor from the aching head of Zeus, The East Village Other burst upon the scene. The Other was not your parents’ newspaper. Read more…