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JACKIE FRIEDRICH

Rex Weiner: There Is Always The Other

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Rex Weiner, circa 1971, photo by Deanne StillmanDeanne Stillman Rex Weiner, circa 1971.

Rex Weiner co-founded The East Village Other’s successor, the pioneering New York Ace (1972–73) and according to his FBI file, was a founding staff member of High Times. He recalls getting his start at EVO.

My first week aboard The East Village Other, its venerable editor-in chief Jaakov Kohn squinted at the name I’d signed to an article, clutched his blue pencil spasmodically, and curled his whiskered lips in disdain. In an Eastern European accent nearly as impenetrable as the cloud of unfiltered Lucky Strike smoke curling from the butt in his nicotine-stained fingers, he declared, “You look more like a Rex to me!”

The newly minted moniker echoed amongst my new colleagues in the vast, shadowy loft. At EVO you had the name you were born with and the name that EVO gave you: Jackie Diamond was Coca Crystal, Alan Shenker was Yossarian, Jackie Friedrich was Roxy Bijou, Jaakov was “The Arab,” Charlie Frick was Zod, and so on. And so with my next byline I was reborn in 1970, a new decade with a new name, and on my way as a writer, of sorts.

I’d walked out of the clanking elevator into the EVO office that fall, a 20-year-old N.Y.U. dropout from upstate and a Lower East Side inhabitant since I was 17. Two of my closest friends from high school were lost, one to Vietnam and the other to heroin, allowing me to nurse a tragic heart tinged with righteous political outrage. With half a dozen porn novels credited to my name — or pseudonym — for a Mafia publisher, and a handful of poems I’d recited at St. Marks in the Bowery, I thought of myself as an established writer. I appointed myself EVO theater critic, filling a staff vacancy, and felt right at home. Read more…


Lynda Crawford on John and Yoko’s Leftovers and EVO’s Post-Salad Days

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Lynda Crawford 1971 by Kathy Streem Kathy Streem Lynda Crawford, 1971

Breathless — not just from the late-night climb up 11 flights to the EVO office on East 12th Street, or the astonishing art by the likes of Yossarian, Spain, Little Moon, Joe Schenkman, Brad Holland, R. Crumb, Kim Deitch, Trina Robbins, and Fred Mogubgub, or by Dean Latimer‘s gorgeous prose, or the thrill of reading Ray Schultz, or from the stunning reportage of Jackie Friedrich, Pat Morris, and Claudia Dreifus, or the amazing true life adventures of Coca Crystal (subduing a would-be attacker with a tune on her guitar) and Steve Kraus, or the Krassner interview by Kathy Streem, or the wondrous music reviews by Richard Meltzer and Charlie Frick (and Charlie’s magical layouts), or Tuli’s poetry and songs, Vincent Titus’ fables, Honest Bob Singer’s film writings, Rex Weiner’s off-off Broadway reviews (he was homeless and theaters were warm), Tim Leary’s communiqués from Algeria, A. J. Weberman‘s illuminating investigative portraits, or the vocal harmonies of Steve Heller, Latimer, and Schultz; but also from EVO’s coverage of the major events of the time: efforts to stop the Vietnam War, the Pentagon Papers, the Panther 21 trial, American Indian Movement protests, the murder of George Jackson, the Attica uprising, and Bob Dylan’s 30th birthday party, all produced at high intensity under editor Jaakov Kohn‘s benign leadership.

“EVO is not a tit!” I remember editor Allen Katzman telling several of us when salaries were slashed to the single digits, and then disappeared, during the post–salad days of the early 1970s — my tenure.

I waitressed to pay the rent on my $51-per-month apartment on East Sixth Street and to be able to eat a little more than the nightly fare of free chicken wings and chickpeas at Max’s Kansas City that many subsisted on. The EVO piece I wrote that is most remembered came out of that gig at a deli on Christopher Street when John and Yoko happened in one night and I interpreted their relationship through bits of conversation, body language, and by dissecting leftover pieces of blueberry blintz (A. J. gave me kudos for that one); it was reprinted in the Berkeley Barb and a bunch of other papers too. Read more…