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ART SHOWS

With Seed Money from Playboy, Monet’s Garden Blooms on Bowery


Photos: Tim Schreier

It’s The Hole’s most ambitious installation yet: With funding from an unlikely patron – Playboy – the Bowery gallery has transformed into a fecund, fragrant landscape complete with a bridge and lily pond in the back corner. The indoor recreation of Monet’s garden in Giverny was partly inspired by performance artist and longtime East Villager, Kembra Pfahler, best known as the lead singer of the Voluptuous Horror of Karen Black.

At a preview of the exhibit earlier today, Ms. Pfahler, looking vaguely occult in black eye makeup and a hood, sprinkled potpourri over a cluster of flowers that had been transplanted from Long Island. “I’ll learn to water them,” she promised, “because I do not know a thing about plants. Being in this garden last night was the first time I’ve been around plants like this.”

Not exactly true: in August 2011, Ms. Pfahler traveled to Giverny, France, to be photographed by E.V. Day in Monet’s famous garden estate, where the photographer best known for exploding couture was enjoying a residency. Read more…


Gallery Scene | ‘Raw Spaces,’ ‘Remnant Memories,’ and More

If you missed the opening of “Two Heads Are Better Than One” at The Hole earlier this week, don’t worry: there’s a shindig at Gathering of the Tribes tomorrow and three more openings next week. Here’s what’s new on the gallery scene.

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Occupy Tribes Friday (Feb. 17 to March 4) Steve Cannon’s homegrown gallery soldiers on despite an eviction notice and lawsuit. Ama Birch curates an exhibition of artwork inspired by housing issues; proceeds from all sales will go toward Mr. Cannon’s legal bills. Opening reception Feb. 17, 7 p.m. to 9 p.m. Gathering of the Tribes, 285 East Third Street, 2nd Floor, (212) 674-3778

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Raw Spaces (Feb. 23 to March 31) Lisa Lebofsky’s first New York City solo show. The painter, who has studied art at the New York Academy of Art and SUNY New Paltz, depicts natural scenes using oil on sanded aluminum. Opening reception Feb. 23, 6 p.m. to 9 p.m. Milavec Hakimi Gallery, 51 Cooper Square, (817) 975-5488.

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Remnant Memories (Feb. 24 to March 11) Graffiti artist John Matos, better known as Crash, presents aluminum pieces, watercolors, and silkscreens inspired by his salad days of painting murals on subway cars. Opening reception Feb. 24, 6 p.m. to 10 p.m. TT Underground, 91 Second Avenue, lower level, (212) 673-5424.

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With Colossal Paintings, Erik Foss Frames 9/11 in the Context of ‘Avarice’

vossCourtesy of Erik Foss. The artist with the show’s centerpiece, “Rapture.”

Erik Foss, co-owner of East Village fixtures Lit Lounge and the adjoining Fuse Gallery, is known to the downtown art world mainly as a curator with an eye for musicians and counterculture types: when The Local last encountered the lanky 38-year-old he was hosting a reception for rocker-turned-artist David Yow. On September 11, he’ll open his first solo show in New York City as an artist, at Mallick Williams & Co. in Chelsea. If the date seems like an odd one for what should be a celebratory occasion, it isn’t — the exhibition, “Avarice,” is a reflection on the events of a decade ago. Read more…